Monday, June 28, 2021

Poster - Keep Fish Wet

 



"Keep Fish Wet promotes the use of science-based best practices to catch, handle, and release fish.

Science shows that even small changes in how an angler catches, handles, and releases a fish can have positive outcomes once that fish swims away. Not only does using best-practices increase survival rates of fish, but it also helps fish return to their normal behavior as quickly as possible after release. Using best-practices for catch-and-release is a quick and effective way to put conservation in to practice.

Adopting science-based best-practices is a personal evolution and work in progress for all of us — especially as the science continues to advance as well.

Our goal is to create a supportive community for learning and sharing best-practices for catch-and-release. We do not support finger pointing or shaming. Keep Fish Wet is not opposed to the lawful harvest of fish. We also acknowledge that even when we ‘catch and keep’, we often return some fish to the water (due to size limits, closed seasons, etc.) and therefore practice catch-and-release. Keep Fish Wet best-practices can be applied to any type of fishing in any type of water anywhere in the world."

Wednesday, February 3, 2021

Quotes from Ted Leeson's "Inventing Montana"


You cannot cast a fly anywhere in the river without the conviction that it’s drifting over fish.  That you may know better counts for nothing in the overpowering impression of possibility, one of the pleasant illusions from which an angling life is built.

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Any enterprise centered on angling automatically forfeits any pretense to seriousness in the ordinary world. 

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Fishing is at heart a form of play.  I have always assumed this much to be obvious, but judging from the current trajectory of the sport, evidently it is not.  Modern angling is uncomfortable with the idea and prefers to regard itself more along the lines of modern medicine, as an acutely specialized body of knowledge dispensed by a priesthood of experts.

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Wade fishing rests on the deep psychology of righteousness and all the props available to the Man of Virtue in a classic morality play – self-denial, sacrifice, steadiness of character, endurance of hardship, humility, and the abnegation of worldly comforts.

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To wade a river is to participate in the ritual purification of bathing, one of the oldest and most widespread of metaphors, though ideally without the getting-wet part.

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People being what they are, conflicts inevitably crop up between those in boats and those not.  Usually avoidable but not always avoided, they generally take the predictably American form of one indignant sense of entitlement confronting another, and sometimes you wonder whom to pull for.

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Fishing on foot has a microscopic character and makes small things into larger ones.

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Boots and boats represent as much instruments of observation as methods of getting around. 

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Fly fishing is not one of the eternal verities, but it can bring you closer to a few, the stream itself foremost among them.

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There is a certain and distinct pleasure, the source of which I cannot pinpoint, in simply watching water run downhill, an endless scroll of current on which the river inscribes the complicated history of itself.  And it reads equally well whether you choose to be in the water or on it.  It merely comes down to a matter of what pleases best, and once that is resolved, no other relevant questions remain.

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Looking forward to a fishing trip and preparing for it bestows a happiness of its own, and the flies I tie represent the material form of my private anticipatory pleasure.

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No one should kill a trout without a sense of having diminished the world’s quotient of wildness.  This isn’t necessarily a reason to renounce the practice, but if it doesn’t give pause, you have some things to think about.

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(On any “surplus” of anglers crowding a preferred portion of water, and the “annoyance and disappointment you are unentitled to feel at seeing your favorite reaches of water occupied day after day.”)

It may rain on your expectations, but if the presence of other fishermen ruins your day, the problem should be reckoned yours, not theirs.

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I doubt there’s an angler alive, at least one with any imagination, who hasn’t at some time or other trespassed on posted land or snuck onto private water.

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I have always favored morning fishing anyway.  The first hours of light on a river are the most gracious of the day.  Cool night air still lingers over the water, and there is seldom any wind.  Shadows stretch out as the day uncurls in the yawn of morning sun, and the river is never more quietly spectacular nor the landscape more vividly limned than in that slanting light.  Nocturnal creatures wander home, diurnal ones take their place, and there is much to see at the change of shift, as in truth there is at dusk.  But the sun sets with a sense of time seeping away, of attenuation and impending conclusion; with dawn, the day just keeps getting bigger, and for several hours the far end of it is quite invisible.  The fishing prospects, as yet uncorrupted by the fish, are envisioned through the purities of early-morning hope and its innocent interpretations of the future.  At sunrise on a trout stream, every man is an optimist.

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Human beings in general seem constituted to want it all, but fishermen believe they can actually get it.

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The soul of an angler embraces a collection of unquestioned convictions, foremost among them the faith that a trout could take on any cast.  Deprive him of that assumption and only a perplexing sense of waste remains.

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Trout always lie in the direction of greatest hardship.

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It is an old truism that the best fishing takes place in spaces of transition, on the edges between current and obstruction, shallow and deep, warm and cool, fast and slow, day and night.

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Fly fishing cannot be called, in any important construction of the term, an “art.”  It is only a medium.

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Any conception about a favorite place to fish cannot be separated from an idea of why you fish to begin with, of what you go to the water looking for and what, having been there, you come away with. 

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A fishing place (and fishing itself, I would argue) is a kind of shorthand – a metonym that names the container for the things contained.  The particular ways in which you appreciate a river; the assumptions and intentions you bring to it; the way you envision what you are doing on the water and what you take its purpose to be; what you attend to and the person you become while you are there – all of these, and others, are contained in a space called “favorite” that we partly define for ourselves by what we choose to invest in it.  I doubt that these choices even register on us consciously.  In our minds, it’s just how we fish, invisibly there, like a form of gravity.

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To some extent, and possibly a larger one, we create the places we fish through the decisions we make about what matters there.  A river, or a lake, or a saltwater flat is fundamentally itself.  But it also contains the raw material from which to arrange a place of meaningful occupation, one that grants a temporary autonomy, where the miraculous in the ordinary is more likely to show itself and where you are more likely to see it, where you can inhabit a story you fashion that is all about why you are there.

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(On the matter of fly patterns for a sport “that so openly invites the more analytical forms of observation, so insistently encourages the construction of hypotheses, and so seldom rewards them.)

When it comes to flies, the fish have the advantage.  At the end of the day, only the trout’s opinion counts, though this does not stop anglers from having plenty of their own.

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(On fishermen as “creatures of reason, driven or inclined to explanatory conjectures.”)

Simply catching fish or failing to catch them does not serve; the unrepeatable successes and persistent failures haunt us equally.  We must know the causes, and if they cannot be objectively discovered, we will invent them.

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The quality of a day’s fishing, whether good, bad, or otherwise, can rarely be attributed to a single factor; almost always it involves a conspiracy. 

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Fly angling is an occupation of a thousand variables – water and weather, light and temperature, instincts and accidents – in which a small alteration in any one of them may rattle down to the others in a chain reaction and cascade through the system until everything, most particularly the fishing, changes. 

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Put a nickel into a fly angler and he will dispense theories until you put a quarter in to make him stop or, failing that, manually unplug him.

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Fly angling offers little in the way of absolutes; for the most part, it consists mainly of conjectures forcibly willed to the status of fact. 

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We operate under a theory that a change of fly offers the surest route to a change of fortune.  For an overwhelming number of us, of course, the best way to catch more fish is to become a better fisherman.

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Knotting on a different fly requires infinitely less time and personal effort than learning how to do something new or better.  The fly, we reason, is what makes things happen, and so using a different one should make them happen differently.

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 Blind fishing has as its most immediate objective a good cast, which after a time becomes its own incentive; you grow more absorbed in throwing strikes and less concerned about getting them.

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Any trout fly that catches a trout gives some fragmentary hint of the ideal, a partial glimpse into a transcendent reality that we will probably never arrive at.

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We all confront the same observed evidence of the water, reach into our fly boxes, and, often enough, produce different solutions to the problem of catching fish.

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(On a fisherman’s flies, in “that all of them signify something we believe in, or used to believe in, or think we might believe in when we get around to trying them.”)

Dig through an angler’s patterns and you will unearth a private archeology of shrewd inferences and failed speculations, unlikely hopes, long-shot bets, the remnants of rivers past, hatches that materialized or didn’t but still might.

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Our fly boxes warehouse our experience and experiences; they become a form of material memory.

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Like pets, fly boxes take on the personalities of their owners; they house our angling identities, which may or may not resemble our everyday identities as they exist uncorrupted by fishing.  It depends upon the fisherman.

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While a fly pattern obviously has no inner life, it does have the suggestion of one: a name, a parentage, a history, an occupation; it can evoke affection, trust, misgiving, prejudice; it has a finite lifespan and, as with people, its passing is sometimes mourned and sometimes not.  A fly pattern is not a person, but collectively in our boxes flies do constitute a kind of population.  Because we have made them and sometimes invented them and so know them in a way that the nontier does not, we don’t so much use our flies as enter into partnerships with them.

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While I like to think of myself as an equal-opportunity angler, I have limits and draw the line at those increasingly popular patterns, mostly nymphs and streamers, draped in more flashy glitter and trashy bling than a pop-star entourage, and dressed with a similar unholy sense of color.  The trout in my universe have never been interested in sequin-and-paste costume simply because I have never shown it to them.  In making this choice, and many others, I manage to supervise reality in a way that makes it conform to my worldview, which I take to be the ultimate theory behind all flies and fishing.

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A trout fly inhabits the space of our best imaginings and becomes a kind of narrative of its own, a plot we construct about a character in disguise.  In the end we cast a fly on the water for the same basic reason that we test a hypothesis or read a story – we want to see how it all comes out.

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(On the western fly fisherman’s “disingenuous contempt” for the species whitefish, these “Montana bonefish” being his “chief metaphor for disappointment,” and the “more complex relationship” of “pretending to a greater disappointment than he actually feels” of catching one, or many more, instead of the targeted species, trout.  That “you may not like whitefish much, but you need them.  They are necessary, answering a call from those murky sectors of the heart that are best left unexplored.)

I find it hard to imagine that anyone with angling in his soul would regret catching a fish, at least as opposed to not catching one.  We just wish to remind ourselves of the simple, animal pull that lies at the heart of the game.

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(On a general premise of angling that “fish are catchable,” even if far from being “self-evident, this assumption must be granted” or else “admitting the contrary concedes in advance the essential futility of it all.”)

Whether you ultimately hook any fish doesn’t matter, but the possibility of it must exist.  That alone gives meaning to your efforts, even the failed ones.

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A moment will sometimes arrive in fishing, infrequently but unfortunately, when you can see the day taking a turn, heading south, going sour in ways that you neither anticipated nor seem capable of stopping.  Any number of identical circumstances might precipitate the decline – bad luck, bad weather, bad water, bad company, or just you fishing badly – but in time it expands to become a free-floating and generalized pall of frustration or discouragement or ill humor that descends over everything.  Nearly always, however, you can trace it to the same cause: you’ve invested too much in too little, of wanting too specifically.

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Define the terms of success too exclusively and you hang the weight of your satisfaction on a hook too insubstantial to hold it.

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To stake one’s well-being on catching fish is invariably a fool’s wager.

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You will spend some fraction of your fishing in wait, and when gauged against the putative aim – catching something – that fraction is large.

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 (On the perception of boredom originating “from being attentive to the passage of time itself.”)

The angler labors under no such inconvenience and routinely misplaces large chunks of time, entire afternoons, whole days, significant portions of a life, with no idea where they have gone or any specific recollection of how they disappeared.  You can certainly become bored while fishing, but only if you ask too much of it or expect the wrong things.

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    (On the “hallucinogenic properties” of “technical fly-fishing literature” distorting occurrences of hatching insects and rising fish “which anglers have been induced to believe are the default condition of the average trout stream and a routine component of the ordinary angler’s experience in fishing.”)

While I’ve lived long enough to know better, and though the melancholy truth of the converse has been repeatedly demonstrated to me, I nonetheless share the pervasive American faith in pharmaceutical therapies and believe that the various hatch-related maladies that might afflict an angler can be treated with the proper prescription of fly patterns.  In this regard, I am a walking drugstore.

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The human imagination gravitates more to the singular than the ordinary, and exchanges among fishermen typically highlight the atypical, in which both fish and fishing abound.

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I can only gesture lamely toward the kind of irrationality that underlies much of angling – how, for instance, we allege to deepen our appreciation of nature by pestering it, sometimes to death.  If fishing were inherently reasonable, you’d probably see a lot more people on the water.

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There is no significant point to be proved in fishing, unless you wish to demonstrate that you’re somehow more clever than the fish, a suspect aspiration to begin with and frequently inconclusive in the end.  Nor will fishing cure what ails you, though I must say it does a commendable job of treating the symptoms.

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Fly fishing is not a religion.  At best it can bring you to sacred places and show you a small miracle or two.

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Waiting represents just a distilled and concentrated version of the deep uncertainty that surrounds all fishing – angling, perhaps, in its most abstract form.









 ©2009 (Skyhorse Publishing)