Sunday, December 4, 2016

I hope there are others also who don’t mind rivers...


A River Runs Through It, written by Norman Maclean in 1976, is a 104-page semi-autobiographical account of the author’s relationship with his younger brother Paul and their upbringing in an early 20th-century Montana family in which "there was no clear line between religion and fly-fishing."  The story served as his first publication ever, which he penned at the age of 70.  As a “noted authority” on freshwater angling, his self-described “children’s story too long to tell children” was set upon the banks and freestone rocks of a river falling westward from the peak of the U.S. Continental Divide.  The passages of this novel are noted for his detailed use of fly-fishing descriptions and technique, seen both as a practicing avocation and a poetically-inspired art-form whisking in its graceful movements overhead.  For its principal nature of bonding two brothers with Nature and engaging the reader with a number of profound metaphysical questions only asked of the self while wading within a world of water and sounds and canyons. 
The following excerpts are those I paused to reflect upon or reread in curiosity and admiration after finding myself hooked by a larger-than-life simplicity written in prose or poetic aspect of an angling appeal painted in colorful imagery.  By a man’s chosen words, fished of his native waters and whispered from those surrounding mountains he knew so well.  Ultimately, by those confluences flowing where the two separate existences that are life and fishing are sometimes seen swirling and circling back upon themselves, trapped, suspended, or withheld, if only momentarily, within inspiring eddies of time.  I hope there are others also who don’t mind rivers.



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Below him was the multitudinous river, and, where the rock had parted it around him, big-grained vapor rose.  The mini-molecules of water left in the wake of his line made momentary loops of gossamer, disappearing so rapidly in the rising big-grained vapor that they had to be retained in memory to be visualized as loops.  The spray emanating from him was finer-grained still and enclosed him in a halo of himself.  The halo of himself was always there and always disappearing, as if he were candlelight flickering about three inches from himself.  The images of himself and his line kept disappearing into the rising vapors of the river, which continually circled to the tops of the cliffs where, after becoming a wreath in the wind, they became rays of the sun.
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Shockingly, immensity would return as the Big Blackfoot and the air above it became iridescent with the arched sides of a great Rainbow.
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Something within fishermen tries to make fishing into a world perfect and apart… many of us probably would be better fishermen if we did not spend so much time watching and waiting for the world to become perfect.
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Fishing is a world created apart from all others, and inside it are special worlds of their own – one is fishing for big fish in small water where there is not enough world and water to accommodate a fish and a fisherman, and the willows on the side of the creek are all against the fisherman. 
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You can’t catch fish if you don’t dare go where they are.
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The cast is so soft and slow that it can be followed like an ash settling from a fireplace chimney.  One of life’s quiet excitements is to stand somewhat apart from yourself and watch yourself softly becoming the author of something beautiful, even if it is only a floating ash.
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The body and spirit suffer no more sudden visitation than that of losing a big fish, since, after all, there must be some slight transition between life and death.  But, with a big fish, one moment the world is nuclear and the next it has disappeared.  That’s all.  It has gone.  The fish has gone and you are extinct, except for four and a half ounces of stick to which is tied some line and a semitransparent thread of catgut to which is tied a little curved piece of Swedish steel to which is tied a part of a feather from a chicken’s neck.
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That’s one trouble with hanging around a master – you pick up some of his stuff, like how to cast into a bush, but you use it just when the master is doing the opposite.
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What a wonderful world it was once.  At least a river of it was.  What a wonderful world it was once when all the beer was not made in Milwaukee, Minneapolis, or St. Louis.
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Out of the lifeless and hopeless depths, life appeared.  He came so slowly it seemed as if he and history were being made on the way.
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I sat there and forgot and forgot, until what remained was the river that went by and I who watched.  On the river the heat mirages danced with each other and then they danced through each other and then they joined hands and danced around each other.  Eventually the watcher joined the river, and there was only one of us.  I believe it was the river.
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…part of the way to come to know a thing is through its death.
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On a hot afternoon the mind can also create fish and arrange them according to the way it has just made the river.  The mind can make all these arrangements, but of course the fish do not always observe them.
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I did not know that stories of life are often more like rivers than books.  But I knew a story had begun, perhaps long ago near the sound of water.
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The fisherman even has a phrase to describe to describe what he does when he studies the patterns of a river.  He says he is “reading the water,” and perhaps to tell his stories he has to do much the same thing.  Then one of his biggest problems is to guess where and at what time of day life lies ready to be taken as a joke.  And to guess whether it is going to be a little or a big joke.  For all of us, though, it is much easier to read the waters of tragedy.
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A fisherman, though, takes a hangover as a matter of course – after a couple of hours of fishing, it goes away, all except the dehydration, but then he is standing all day in water.
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They had spent a year under water on legs, had crawled out on a rock, had become flies and copulated with the ninth and tenth segments of their abdomens, and then had died as the first light wind blew them into the water where the fish circled excitedly.  They were a fish’s dream come true – stupid, succulent, and exhausted from copulation.  Still, it would be hard to know what gigantic portion of human life is spent in the same ratio of years under water on legs to one premature, exhausted moment on wings.
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From where I was I suppose I couldn’t see what happened, but my heart was at the end of the line and telegraphed back its impressions as it went by.  My general impression was that marine life had turned into a rodeo.  My particular information was that a large Rainbow had gone sun-fishing, turning over twice in the air, hitting my line each time and tearing loose from the fly which went sailing out into space.  My distinct information was that it never looked around to see.  My only close-at-hand information was that when the line was reeled in, there was nothing on the end of it but some cork and some hairs from a horse’s tail.
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When I was young, a teacher had forbidden me to say “more perfect” because she said if a thing is perfect it can’t be more so.  But by now I had seen enough of life to have regained my confidence in it.
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“All there is to thinking,” he said, “is seeing something noticeable which makes you see something you weren't noticing which makes you see something that isn't even visible.”
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...it is not fly fishing if you are not looking for answers to questions.
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The voices of the subterranean river in the shadows were different from the sunlit river ahead.  In the shadows against the cliff the river was deep and engaged in profundities, circling back on itself now and then to say things over to be sure it had understood itself.  But the river ahead came out into the sunny world like a chatterbox, doing its best to be friendly.  It bowed to one shore and then to the other so nothing would feel neglected.
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Then the universe stepped on its third rail.  The wand jumped convulsively as it made contact with the magic current of the world.  The wand tried to jump out of the man’s right hand.  His left hand seemed to be frantically waving good-bye to a fish, but actually was trying to throw enough line into the rod to reduce the voltage and ease the shock of what had struck.
Everything seemed electrically charged but electrically unconnected.  Electrical sparks appeared here and there on the river.  A fish jumped so far downstream that it seemed outside the man’s electrical field, but, when the fish had jumped, the man had leaned back on the rod and it was then that the fish had toppled back into the water not guided in its reentry by itself.  The connections between the convulsions and the sparks became clearer by repetition.  When the man leaned back on the wand and the fish reentered the water not altogether under its own power, the wand recharged with convulsions, the man’s hand waved frantically at another departure, and much farther below a fish jumped again.  Because of the connections, it became the same fish.
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…the man had quickly raised his rod high and skidded him to shore before the fish thought about getting under water again.  He skidded him across the rocks clear back to a sandbar before the shocked fish gasped and discovered he could not live in oxygen.  In belated despair, he rose in the sand and consumed the rest of momentary life dancing the dance of Death on his tail.  The man put the wand down, got on his hands and knees in the sand, and, like an animal, circled another animal and waited.
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Then he told me, “In the part I was reading it says the Word was in the beginning, and that’s right.  I used to think water was first, but if you listen carefully you will hear that the words are underneath the water.”
“That’s because you are a preacher first and then a fisherman,” I told him.  “If you ask Paul, he will tell you that the words are formed out of the water.”
“No,” my father said, “you are not listening carefully.  The water runs over the words.”
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Eventually, all things merge into one, and a river runs through it. The river was cut by the world's great flood and runs over rocks from the basement of time. On some of the rocks are timeless raindrops. Under the rocks are the words, and some of the words are theirs. I am haunted by waters.


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